The Prince

[Published in the East Hampton Star, May, 2002]

Even through tears and the deliriums of half-consciousness, Larry saw the smoke from the gun, heard the deafening sound from it, and the mad screams that rose upon each shot. The shooter continued to walk up the aisle and Larry watched the man’s wide back while sinking to the floor of the subway car. This lowering of self was not done out of will. Larry’s legs had gone numb and when he slid down, his pants rolled up, exposing shins and the gray hairs on his bony legs. He slumped against a pole and remembered he was an old man. His hand stuck to one palm-sized portion of his chest as blood gushed through fingers in thick waves, rolling over knuckles and falling onto his sweater, a cable-knit recently bought by his wife. He perspired and wanted badly to reach into his breast pocket for his handkerchief, but he wouldn’t dare take his hand away. Besides, sitting in place seemed to ease the hurt. The pain was either dissipating or he was getting accustomed to it like the fit of new clothes.

east_hampton_star2He closed his eyes and took several long breaths and exhaled each slowly. Words came to his mind, despite the cacophony of his surroundings. Panicking passengers shouted and slapped at the subway doors and windows, trying to force them open. Several ran over him without consideration. They were the most bothersome to Larry, because he was ruminating while some of these people kicked his feet as they leapt, costing him his train of thought.

The gun fell with a loud thud and Larry turned toward the sound. He winced when he shifted his head and shoulders, and also when he saw the gunman being smothered by a group of purposeful men, who battered him with blows that looked painful to the extreme. Despite this man’s capture, people still screamed and scurried about. A large woman heading to the far end of the car stumbled after she nearly tripped over Larry’s size 10 Clark’s. His toes pointed right back up, like pieces of hard rubber, and he found it curious, not feeling pain when kicked. The woman was the last to pass him and the voices quelled in a matter of seconds, a change of volume Larry was grateful for.

With one wet hand still on his chest, he raised himself up a little, making it easier to breathe and concentrate. He coughed and began.

“Death,” he said. It was a murmur and wouldn’t do. He propped himself up some more, pressing his loose hand to the coarse floor and pushing his spine against the metal pole. He winced, coughed, and did his best to clear his throat.

“Death -.” The weary drone in his voice stunned him. It was a typical, sick, old man sound, but it would have to do. “Death,” he said again, “the undiscovered country, from whose bourn” -he paused to cough - “No traveller returns, puzzles the will, And makes us rather . . . rather . . .” -he coughed, without needing to this time, raising a clenched fist a few inches from his mouth - “rather bear those ills we have, Thus conscience doth make cowards of us all.”

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Slang Can Save a Story, Just Don’t Go Ballistic With It

A newspaper editor I know once told me about an adventurous photojournalist he worked with who had found himself in a dangerous situation while on assignment in Central America. The photojournalist, a New Yorker, was working on an article about the drug trade and he had hired a translator to help him locate sources for the story. Unfortunately, the photojournalist and the translator were kidnapped by gang members and ordered into the back of a van. The gang had already taken their money and everything of potential value in their wallets. So, being driven to who knows where could only end badly, the photojournalist thought. And so did the translator, who began to converse with his captors.

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Scream

[Short story was published in "The Southampton Review" in July, 2007, and was named a "Glimmer Train" award finalist in April, 2007]

Hot. Steam rises from their heads. This one in my hands squirms when I douse him with water. He sits in a steel basin the size of a large soup bowl and shrieks like the rest. The tent morphs into a cavern of yelps as we pour cupfuls over their burnt skulls then squeeze the dirty excess from washcloths. I wipe Chidi down, he cries louder. Every touch — the lifting of an arm to get underneath, the pulling back of an ear to wipe behind — is a pinch or the cause of an ache. Each movement demands energy his cells don’t have. Energy requires food, after all, and here there isn’t enough. The heat saps the body like a mosquito drinks blood.

A crooked rivulet of sweat itches my cheek, sinks and drizzles off my chin. I swipe at the trail with a shrug of my shoulder then finish bathing the boy. The children are washed inside the tent in the mornings, if their mothers let them be taken. Salaam comes to me next. I call him Sam and Chidi is his brother. They are the same height, roughly the same weight. Chidi is two years older, but was born premature: a cruel thing, to come into this life early. Then to suffer kwashiorkor: the further starvation an elder child endures when a new born arrives, demanding care.

Chidi’s disposition is rightly cantankerous. He wails when I dry his body and set him back down beside Jumilla. With the wet washcloth removed, he again sits bare beneath the glare of the sub-Saharan sun. Sam merely cringes when I gather him into my arms to carry him from his mother and their hut, a mound of straw draped in blue-and-white plastic sheeting to look sturdier than it is.

The Oxfam tent is green and full of tears. To bathe Sam in it, I must step over and through twigs called limbs. A crunch on an arm will break it, an inadvertent kick to a leg can cause a spasm, a seizure. I cradle Sam close so I can see my feet as I walk. His warm cheek braces against my shoulder, his eyes squint at the sun, which smolders us slow. Spittle forms about the corners of his mouth. Three years old and his stomach looks like it should belong to a boy of twelve, a menace from Louisiana with a passion for French fries.

Sam has suckled his mother, but hasn’t eaten since I last bathed him, three days. I place him on the edge of the wobbly table. His legs thin like stork limbs dangle off. He sits, quiet and hungry, while I dump out the water dirtied by Chidi’s grime into a basin. To bathe them, I have a jerry can of well water, washcloths, and a small ceramic cup decorated with roses. Sam is a good spirit. We’re not to get attached to them, of course. They don’t stand much chance of living past five. I lift him into the tub and give him a bit of soft rice, folding it into his mouth. His lips part quick, grazing over my callused hands like innocent kisses. Chewing is a chore for Sam, swallowing an exercise. I shake a rattle in front of his face. Gold tint covers the toy and Sam, as any child would do, follows its motion with his eyes. His ears, I hope, delight in the sound, making it easier for the rice to slide past his esophagus into his bloated, malnourished belly I smooth with a sponge.

The bellies: I’ve seen them all my life, clicking by on the TV. Bellies like this, fat, hard, ripe for sickness. Sam’s kidney fails him when he digests. A rock would serve as a better sieve than his liver. The boy has diarrhea. His body’s organs are so whittled they can’t absorb the nutrients of the bits of food he gets, such is the devilishness of famine.

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Masquerade

She tied her hair into a ponytail, buttoned her leather coat, and thought of a polite way to put it. The issue was his friend’s Halloween party, an annual tradition, with a barbecue, joke prizes, and a midnight showing of “The Rocky Horror Picture Show”. He called it campy and she nodded, without adding the adjectives that came to her mind.

In past years he’d gone as athletes, either famous ones, like Babe Ruth, for which he strapped a pillow around his torso and carried a bat in one hand and a liquor bottle in the other, or generic models, such as the toothless hockey player last year. “I said ‘eh’ a lot.” He grinned and looked for a response. “Like, ‘You havin’ a good time, eh? Get you some dessert, eh?’ “

With a polite smile, she said no thanks and they continued by the window of the pastry shop that was two doors from the restaurant they had just left. The night was cool and the wind blustered, stinging skin, and rustling up leaves and cloaks.

“So, will you come? It really is a lot of fun.” His grin remained, his voice was joyful.

She locked her arm around his elbow, forming a link that felt secure and necessary. A strong gust whistled and smacked the side of her face. The cold burned and caused her to sniffle. To shield herself, she ducked into his wall of a shoulder and waited for the warmth to return to her cheeks. They headed for the subway, passing familiar bars noisy with activity and full of women desperate to look sexy. His mouth scraped against the side of her head as he pressed himself against her earlobe.

“Did you hear me?” he whispered. The sharpness of his chin felt like a nudge.

“Yes, I did.” With a fluid motion, she unlooped her arm from his and placed her hands in her coat pockets.

She bunched her shoulders and turned away, thinking she was better off with the cold. This relationship of theirs teetered between commitment and division, a tenuous state that could tilt on one true act of love or the slightest betrayal.

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Choose Your Words With Care and Your Writing Will Improve

The difference between the almost right word and the right word is “the difference between the lightning bug and the lightning.” Mark Twain turned that phrase 120 years ago and it’s still applicable. In fact, many writers will tell you the hardest part of the job is finding the most appropriate noun or verb for a given sentence. The reason is because we aim to avoid clichés, meaning we’re constantly challenging ourselves to be inventive in ways beyond concocting plots and characters.

Whether you’re a journalist, public relations professional or author of literary fiction, expanding your vocabulary is fundamental to improving the quality of your work. If you believe writing involves craftsmanship then language is the toolbox to accomplishment. As with any field, the practitioners who best know how to use their tools will be able to differentiate themselves. Besides the thesaurus, other reference books that will help you grow as a wordsmith include The Flip Dictionary, Word and Phrase Origins and Roget’s Super Thesaurus. These texts go beyond dictionary definitions, giving you etymological information as well as colloquial phrases in addition to traditional synonyms.

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Nothing to Be Afraid Of

[Short story won the Sarah Tucker Prize from "Confrontation" magazine in 2005 and the Whitman Award for Fiction from Southampton College in 2004, and was a finalist for a "Glimmer Train" fiction award]

When I met my son Alex it was three years ago, on a rainy spring Saturday morning, after I had walked four blocks to the Babylon community center—a place I never had been—and volunteered with a Long Island chapter of Big Brothers. A caseworker named Bryan asked about my interests and the amount of hours I had available. I said I was flexible and he was happy to hear it. The interview was brief, and he suggested I observe the children and their interaction with adults. I proceeded to watch the boys from a distance as they played tag with each other and shot baskets with the older men.

The Big Brothers were white and black men. Being an Indian man, and often the only Indian man in a place, I notice such things. That’s not to say I was uncomfortable. I did keep to a corner of the claustrophobic gym in my damp clothes with my arms crossed; I was a stranger and naturally felt out of place.

The fact the men were of similar age (I’m now thirty-six) and were smiling reassured me. If they attended to feel purposeful, and I suspected they did, then they must have found fulfillment in the process, a sequence of weekly visits with boys who needed every warm emotion and word of guidance Big Brothers could provide.
Unlike the men, the boys were an inconsistent group. They ranged from kindergarten age to teenagers taller than the volunteers who accompanied them. Many were relentlessly giddy, happy to just run around and be social. The time with their designated Big Brother, it was clear, ebbed whatever negativity was in their past or present home lives. For others, malaise could be shaken only for a few moments before they returned to a sulk or grave-faced stare, as if happiness was a boundary they did not want to approach, an untouchable treat they might be punished for indulging in.

Of those boys, Alex was the most fractured. In my eyes, he stood out among this gathering of males that seemed ritualistic in a way. Alex was small and round, and not at all good at the games. He heaved up shots that fell far short of the basket, eliciting snickers, even from the men who knew better. He ran out of breath easily while playing tag and always seemed to be “It”, causing him to be teased and to grow frustrated. At one point, he shoved another boy for an inexplicable reason and stomped away. A young counselor punished him for uncooperative behavior and removed him from the group, isolating him on a bench. I watched this ordeal without knowing how noticeable my vexation and concern was.

“Abusive father,” Bryan, the caseworker, said, “very abusive alcoholic mother. Both long gone, no one knows where.”

Bryan had come out of nowhere to tell me this. “I don’t know what foster care is doing for him. Sometimes kids just fall through the cracks.” He added that most social workers in New York foster care cope with more than forty cases a month, when they’re supposed to have seventeen. Reports are falsified, Bryan told me, because workers can’t handle all the cases. As a result, children such as Alex go unaccounted. He was eight then and had been bounced from home to home, and from Big Brother to Big Brother.

“He’s a loner.” Bryan watched with his arms crossed. “As you can see.”

We moved into a utilitarian cafeteria adjacent to the gym. Lunch was being served, and the situation grew worse for Alex. The Little Brothers made a game of avoiding sitting next to him, then chiding the boy who eventually had to, because he was too tardy or not forceful enough to get another spot. The boy relegated to being Alex’s neighbor shuffled his chair so its legs grated conspicuously on the concrete floor. He then made knowing eyes at his friends and held his nose and pointed until he was told to stop and be nice. Alex, in the mean time, furrowed his eyebrows, bent his head and pouted. He seethed while champing on his pizza, dribbling sauce and cheese onto his Jurassic Park T-shirt, and I turned away.

I pinched the bridge of my nose between my eyes and decided it was time to leave. I told Bryan I was glad I had come. We shook hands and he said he would tell me when the background check was clear, then I could join the group officially. He also informed me he was going to match me with Alex. “If that’s okay,” he said.

The thought had never occurred to me. Somehow I believed that Alex was for a more advanced Big Brother, someone with experience, and I was more suited to one of the well-adjusted kids with a semblance of a family. No such hierarchy existed among the volunteers, though, and when Bryan made that clear, my eyes widened as if I had just received an incomprehensibly large bill. I looked at Alex again. Behind him, a boy was holding two fingers above his head, a mocking gesture that was corrected by one of the men at the end of the table. Obliviously, Alex continued to frown and masticate in a solitude that was endearing in its sadness.

“Of course it’s okay,” I replied.

Bryan smiled and sighed, then went over to retrieve Alex, who came toward me with his chin touching his chest and a gait that resembled a waddle. “Alex, this is Sam,” Bryan said. “He’s going to be your Big Brother, starting next week.”

I grinned, bent down and took Alex’s tiny hand, which was warm and soft, like a freshly used sponge. “It’s very nice to meet you, Alex,” I said.

His response: “Yeah, whatever.”

A gloomy face and an enervating tone matched the words, which deflated me immediately. Later, after I left the community center, the thought of his voice angered me as an insult would. Later still, as I pondered Alex further, I found myself invigorated. Such hopelessness as I saw from Alex that day should not be known by any living, breathing thing, I determined, let alone a child not yet out of grade school. Alex was a boy with scars that needed to be healed and thick memories that had to be gradually reduced until they seemed as if they were of another life.

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Want to Write Convincing Characters? Get to Know Their Jobs

If you’re an inexperienced writer who endeavors to create a novel or short story and are unsure of how to get started, I would advise putting your characters to work. Give them jobs. The reason why is because jobs allow you, as the author, to address the two most important elements of successful storytelling: character and plot.

How many people do you know who allow themselves to be defined by their jobs? How many have work personalities distinct from who they are away from the office? The truth is what people do and how they approach the act of doing it allows great insight into their morals, values and motivations. As a storyteller who aims to build deep, three-dimensional characters, you should know how crucial occupations are to your work. Researching various disciplines also trains you in a core pillar of craftwork: specificity.

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Protection From Friends

“My daughter-in-law believes it’s wrong. She says it would be taking blood money.”

“You don’t have to take it, Mrs. Levesque—”

“Call me Aline, s’il vous plait, please.”

“Thank you. You can donate it, Aline. You can give it to whatever charity you want. Whatever charity your son would want it to go to—”

“The VSO?”

“Of course. He would love to support volunteers. He would also love for you to keep a little—”

“If Richard wasn’t a soldier, he would have been a peace worker. I know this.”

“What I’m saying Mrs., Aline, ma’am, is money isn’t the point. It’s not why you returned my call.”

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This Sure Ground

["This Sure Ground" is a novel-in-progress. To request updates, send an email.]

Chapter One

This is a story about heroes and losing them and becoming one yourself. As I tell it, I am on my way home. It’s not a short story, as you may perceive, and that’s because home is no longer around the corner, or across town, or even a commute away. Home is a nine-hour drive, through the northern portions of another country, along a broad road that leads to the border of my birthplace, the land of my ancestors, the origin of my passport.

The trip is for an occasion, as journeys home usually are, and the emotions are wide-ranging and have grown difficult to restrain. They erupt in rushes, manifesting in facial expressions I find hard to control. Grins in sedate daylight that are oblong and goofy, and cause people to ask, What’s so funny? And dour, serious looks, with forehead crinkled in thought and mouth curled in a pout, as if I were concentrating on an article and not a long past moment whose end I know. And there are tears, of course. They come in the dark and I’m not positive what my face looks like then, but I can imagine. Long and slack in repose.

My drive will evoke these expressions and more, and I don’t know when they will come, whether I will laugh in Albany, or cry in Syracuse, or wince as I approach Buffalo. Nor do I know when each face will go, usurped by another in a tame bit of schizophrenic behaviour. The task at hand is driving on a straight, flat highway and because it is a rote function my mind is free to think and reminisce, leaving my eyes, hands, and feet to maneuver the car. What I do know is where my thoughts will drift, to whom and where, and, most pertinently, to when: Ontario, in my university years and the months before and grim days after.

Chapter Two

In the summer of 1992, I gathered what belongings I had and enrolled in a school miles from where I was born, which was a rural place, quiet and cold, with only the odd tragedy.

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Philippe Petit Walks

[Published in Proteus in Winter, 2002]

Philippe Petit still walks,
You can see him there, I swear,
But don’t look down!
(You always look down)
Look up! Look up!
Can’t you see him there?

Dancing,
Balancing on the World,
Sitting on a wire,
He’s a free bird, a loose canary,
With human compunction
(The good kind).

Philippe Petit still walks,
I’m telling you, it’s true,
Look hard enough,
He’s there:
In ’74,
With the towers under his knee.